On the fatigue (not the treachery) of images (series: notes to myself)
A pipe and its identity. A naked man, sitting on an uncomfortable rock. Another naked man, whose hand God seems desperate to reach. Another man, also naked, watching you, arms and legs spread like a gigantic X. Still another man, this time dressed, turned, watching a foggy landscape. And now many men, dressed like it’s a toga party, all together in an impossible meeting of fine minds. Just one more, of invisible people, probably men, probably dressed, on tiny boats, being crushed by a gigantic wave. The list goes on. Famous images, which even a few, clumsy words cannot fail to sketch, recalling them in anyone's mind. These images, and the countless others that have been cheaped by the digital revolution of high resolution and copyright-free downloads, are tired. Not tired of being themselves. Of course not. For they are proud of their lineage, of the depth of their meaningfulness, of the richness of their cultural references, of the thickness of their historical relations. No. They...