Onlife

Mid-morning, somewhere in Italy. Seating at a bar, in an elegant square, summery weather, a kind breeze, refreshing. An espresso macchiato comes with a brown sachet of sugar, to be added if you wish. I look at it. I look around. I have time to think. How do people deal with this task? Can one divide people, the sugary kind, into types according to how they open a sachet of sugar? A student, with interesting tattoos on her left shoulder, opens it by pinching the two sides and pulling them, gently ungluing the sachet. It requires her to use four fingers, each couple pinching a side of the sachet. She is attentive and careful. She better be. I know that feat is demanding. Too much force and the sachet may give in abruptly, spreading the sugar everywhere. Too little, and the little shell will hold on to its content and won’t be convinced to release its treasure. I love the cautions determination. She puts her hands together, palms touching at the bottom as if praying, to measure the effort

“La morte è una distanza che si apre nella vita, ma non è sparizione, distruzione, putrefazione.” Ho letto questa frase (chiamiamola non-P), è parte di un articolo giornalistico (non si può imporre un rigore scientifico, non è il contesto). Ho letto il resto dell’articolo. Non migliora. Non ha importanza. Desidero soffermarmi solo su questa frase. Da tanti anni non sono più un filosofo analitico, ma mi è rimasta l’inclinazione (il vizio senza pelo del lupo?) di (cercare di) usare le parole con attenzione e cura. Cercando di ancorarle a significati che non siano “futuristici” (parole in libertà). Troppe persone confondono il fatto che una frase sia grammaticale con il fatto che abbia un reale senso. Si può anche dire: P) “La morte non è una distanza che si apre nella vita, è sparizione, distruzione, putrefazione.” P è altrettanto grammaticale e credo che abbia molto più senso di non-P, almeno biologicamente e concettualmente. I fatti puntano in questa direzione. E chi sostiene il contra

Corman McCarthy è stato descritto da alcuni come il più grande scrittore americano di [aggiungere qui un numero di secoli, oppure "la nostra epoca", oppure "una generazione" o semplicemente "sempre"]. Siccome sono insipiente, e lo avevo solo sentito nominare ma mai letto (ma i mie amici come mai non me lo hanno mai consigliato? che ci stanno a fare? O almeno Amazon, visto il numero di libri che compro, un "you may also like" lo poteva sputare no?), sono andato a vedere chi fosse. Ho letto un po' di cose su di lui, tutte molto interessanti. E poi mi sono chiesto chi rientra oggi in una lista più o meno accurata degli scrittori americani più importante degli ultimi 100 anni. Insomma, se uno dice, per esempio, "è morto il più grande scrittore americano del secolo" ti viene il dubbio di ricostruire la competizione gli ultimi cento anni. Le posizioni sono ovviamente e come sempre discutibili, ma mi è stato utile ricordare a chi si sta co

Ho sempre criticato Berlusconi, i suoi votanti, il suo partito, il berlusconismo, gli italoforzuti, i suoi governi, la tragedia (soprattutto morale, ma anche istituzionale, politica, culturale ed economica) che tutto ciò è stato per il paese... Berlusconi è stato un disastro per l'Italia, una sorta di Trump al potere o vicino al potere per decenni. Servirà moltissimo lavoro e tanto tempo per riparare i danni fatti, ammesso che si possano riparare.  Ma Mercoledì 14 Giugno ho spostato la lezione del corso che tengo a Bologna, affinché chi volesse potesse participare ai funerali di stato e commemorare la morte di Berlusconi, e perché l'attuale governo ha proclamato il lutto nazionale per un politico che (con mio scandalo e vergogna) è stato eletto democraticamente da milioni di italiani e italiane (che gli dei dell'Olimpo li perdonino, io non ci riesco, e posso solo rispettarne le scelte), e ha ricoperto la carica di primo ministro quattro volte.  Non è stata una forma di risp

There are some famous parables in the New Testament in which people travel, arrive, go away, or come back (for example, Matthew 25:1-13 on the ten virgins; Luke 15:11-32 on the prodigal son). But I have one in mind that has puzzled me for a long time: Matthew 25:14-15 (on the talents), about the man, probably representing God, who is “going on a journey” (ἀποδημῶν) and “comes back after a long time” (πολὺν χρόνον).  The word ἀποδημῶν means “about to go on a journey”, and it is the same word used in another parable, when God goes away, again (Matthew 21:33-46). In both cases, he leaves the house for reasons that are not provided. Why does he have to go? Can he not stay? It seems that more pressing business calls him elsewhere. Something or someone is more important than us, who live in the house. An emergency? Or perhaps just a test? Maybe he just wants to see what the mice do when the cat is away. Whatever the motives, there is a journey, a time before and after his presence, and then

Why does one publish anything at all? In a world that is always distracted. That already has millions of books. That has more classics than anyone will ever be able to read. In a world that does not read, does not care, does not mind. Why, really? If writing were just a dialogue with oneself, there would be no need to make it public. Why involve others in a private struggle? What is this need to share one's own thoughts? Something is wrong. Let me exclude some obvious answers. Of course, there are professional requirements: an academic, for example, will struggle to get a job without publications. There may be commercial needs: hoping to make some money, or just being able to support oneself. Commitments and promises can also play a role. Ambitions of fame and hopes for glory should never be underestimated, no matter how groundless. And with them, the glimpse, or just the illusion of a slice of immortality, or at least of a less short legacy. Someone may read you, one day, in a dis

THIS CALL IS NOW CLOSED Call for expressions of interest: research position for a project on Digital Sovereignty and the Governance, Ethical, Legal, and Social Implications (GELSI) of digital innovation. The Centre for Digital Ethics of the University of Bologna https://centri.unibo.it/digital-ethics/en invites expressions of interest (EOI) from early career researchers, with a relevant Master or PhD degree, interested in developing a research project in the field of Digital Sovereignty and the Governance, Ethical, Legal, and Social Implications (GELSI) of digital innovation. The EOI should include three documents (all in English): 1. a letter (ca. 500 words), including relevant details about personal motivation, relevant skills, experience, and a link to a Google Scholar profile; 2. a short CV (max 3 pages), including a list of publications; and 3. a short (ca. 1,000 words) outline of the proposed research project about digital sovereignty and the GELSI of digital innovat

Interview by Adele Sarno for HuffPost, the Italian original is here The following English translation is provided by Google, apologies for any imprecision. Luciano Floridi, the digital philosopher, works between Oxford and Bologna, from next summer, he will leave Oxford to direct the Center for Digital Ethics at Yale. He has received the highest honour granted by the Italian Republic: Cavaliere di Gran Croce. According to the Elsevier Scopus database, he is the most cited living philosopher in the world. If today we talk about the "philosophy of information", it is thanks to him, who for 30 years, studied the connections between philosophy and the digital world. Professor Floridi, ChatGPT has been at the centre of the debate, especially these days. Elon Musk and a thousand other experts have written a letter asking for its development to be stopped for six months. In Italy, on the other hand, the privacy guarantor has decided to stop for 20 days until it complies with the pr

Pale colours are the hues of discrete affluence. Often green or brown, sometimes blue, less frequently red, all deeply tinted with white, greyshed and matted, they speak of detached lives and tastefully expensive houses. They match the oaky, automatic gate; the spacious, walled gardens; the grass, carefully mowed by invisible others; the roses, hobbily attended by the well-mannered owners; the expensive, conscientious electric cars in the courtyard; the old carpets to warm the creamy, stony floors; the terracotta in the spacious kitchen; the solid, timbered ceilings; the wooden doors;  the immaculate linen; the bathrooms' ivory basins. Pale colours are quiet and unobstructive. They wish to be old, like unembarrassing money. Even when recently painted, they pretend to have been washed by centuries of tradition, smoothed by classic virtues and family reunions. They are meant to smell like musky wealth that does not age but accrues, of private schools for the children, of Oxbridge spo

In poche battute: Brevi riflessioni su cultura e digitale 2011-2021 è disponibile presso Amazon:  https://amzn.eu/d/85KTDpC  

Call for Papers for American Philosophical Quarterly ’s special issue on The Ethics of Artificial Intelligence Editor in chief: Patrick Grim Guest editor: Luciano Floridi Artificial Intelligence (AI), from machine learning to robotics, generates enormous opportunities and significant challenges. In the past few years, many of them have led to a flourishing of international initiatives and growing research concerning the ethics and governance of AI. This special issue solicits the submission of original articles that investigate how AI is transforming classic questions or leading to new ones in moral thinking, and how such questions may be addressed successfully. Topics of special interest include but are not limited to AI and: authenticity, creativity, and intellectual property rights; bias, discrimination and fairness; the digital divide; digital sovereignty; capabilities and empowerment; cyberconflicts and cybersecurity; fake news and deep fakes; ethical frameworks and principles; et

Condivido la versione corretta dell'intervista uscita su Arttribune . Purtroppo la versione pubblicata per errore è la prima bozza.

They say there are only six connections between any two people on this planet. Maybe. My mum once danced with Juan Carlos I (her mother taught piano at the Spanish Embassy in Rome). My sister-in-law knew the Queen. And my brother met Pope Benedict XVI. I should be indirectly connected to a lot of people. But the most amazing link is another. And this is the story I wish to tell you. 21 June 1970, Mexico, World Cup final. A memorable game, even for a child born in Rome in 1964. Italy lost against what is still considered the greatest Brazilian football team of all time . But this is still history, not my story yet, which begins a year earlier.   In 1969, the Brazilian team was training in Rio de Janeiro. They had their headquarters in São Conrado. At the time, the place was far from downtown. The atmosphere was relaxed and friendly, with people meeting the players, and the occasional BBQ.  One girl, six years old, was often seen mixing with the team. She liked football. Her parents took

Of all the philosophical problems crowding my mind, four are recurrent and pressing. They are like two roundabouts to which I return regularly, inevitably. If I let my mind wander, there I am, thinking about one of them. I hear them silently, like earworms that take turns, melodies stuck in my head. Let me tell you about two of them (the other two will have to wait for another note). One is about the nature of reality. What comes first, things or relations? Not chronologically, of course, but in terms of ontological priority. We cannot help but perceive and conceptualise the world in terms of stuff. We are stuff. We are surrounded by stuff. We eat stuff and bump into stuff. Stuff does stuff, causally. Stuff is made of more stuff, it changes, moves, grows and shrinks, is gathered, modelled, built and broken. Stuff everywhere, every time. Anything else is what happens to stuff. Properties, transformations, relations. From Aristotle onwards, the problem of Being is the problem of stuff: s