Onlife

Corman McCarthy è stato descritto da alcuni come il più grande scrittore americano di [aggiungere qui un numero di secoli, oppure "la nostra epoca", oppure "una generazione" o semplicemente "sempre"]. Siccome sono insipiente, e lo avevo solo sentito nominare ma mai letto (ma i mie amici come mai non me lo hanno mai consigliato? che ci stanno a fare? O almeno Amazon, visto il numero di libri che compro, un "you may also like" lo poteva sputare no?), sono andato a vedere chi fosse. Ho letto un po' di cose su di lui, tutte molto interessanti. E poi mi sono chiesto chi rientra oggi in una lista più o meno accurata degli scrittori americani più importante degli ultimi 100 anni. Insomma, se uno dice, per esempio, "è morto il più grande scrittore americano del secolo" ti viene il dubbio di ricostruire la competizione gli ultimi cento anni. Le posizioni sono ovviamente e come sempre discutibili, ma mi è stato utile ricordare a chi si sta co...

Ho sempre criticato Berlusconi, i suoi votanti, il suo partito, il berlusconismo, gli italoforzuti, i suoi governi, la tragedia (soprattutto morale, ma anche istituzionale, politica, culturale ed economica) che tutto ciò è stato per il paese... Berlusconi è stato un disastro per l'Italia, una sorta di Trump al potere o vicino al potere per decenni. Servirà moltissimo lavoro e tanto tempo per riparare i danni fatti, ammesso che si possano riparare.  Ma Mercoledì 14 Giugno ho spostato la lezione del corso che tengo a Bologna, affinché chi volesse potesse participare ai funerali di stato e commemorare la morte di Berlusconi, e perché l'attuale governo ha proclamato il lutto nazionale per un politico che (con mio scandalo e vergogna) è stato eletto democraticamente da milioni di italiani e italiane (che gli dei dell'Olimpo li perdonino, io non ci riesco, e posso solo rispettarne le scelte), e ha ricoperto la carica di primo ministro quattro volte.  Non è stata una forma di risp...

There are some famous parables in the New Testament in which people travel, arrive, go away, or come back (for example, Matthew 25:1-13 on the ten virgins; Luke 15:11-32 on the prodigal son). But I have one in mind that has puzzled me for a long time: Matthew 25:14-15 (on the talents), about the man, probably representing God, who is “going on a journey” (ἀποδημῶν) and “comes back after a long time” (πολὺν χρόνον).  The word ἀποδημῶν means “about to go on a journey”, and it is the same word used in another parable, when God goes away, again (Matthew 21:33-46). In both cases, he leaves the house for reasons that are not provided. Why does he have to go? Can he not stay? It seems that more pressing business calls him elsewhere. Something or someone is more important than us, who live in the house. An emergency? Or perhaps just a test? Maybe he just wants to see what the mice do when the cat is away. Whatever the motives, there is a journey, a time before and after his presence, and t...

Why does one publish anything at all? In a world that is always distracted. That already has millions of books. That has more classics than anyone will ever be able to read. In a world that does not read, does not care, does not mind. Why, really? If writing were just a dialogue with oneself, there would be no need to make it public. Why involve others in a private struggle? What is this need to share one's own thoughts? Something is wrong. Let me exclude some obvious answers. Of course, there are professional requirements: an academic, for example, will struggle to get a job without publications. There may be commercial needs: hoping to make some money, or just being able to support oneself. Commitments and promises can also play a role. Ambitions of fame and hopes for glory should never be underestimated, no matter how groundless. And with them, the glimpse, or just the illusion of a slice of immortality, or at least of a less short legacy. Someone may read you, one day, in a dis...

THIS CALL IS NOW CLOSED Call for expressions of interest: research position for a project on Digital Sovereignty and the Governance, Ethical, Legal, and Social Implications (GELSI) of digital innovation. The Centre for Digital Ethics of the University of Bologna https://centri.unibo.it/digital-ethics/en invites expressions of interest (EOI) from early career researchers, with a relevant Master or PhD degree, interested in developing a research project in the field of Digital Sovereignty and the Governance, Ethical, Legal, and Social Implications (GELSI) of digital innovation. The EOI should include three documents (all in English): 1. a letter (ca. 500 words), including relevant details about personal motivation, relevant skills, experience, and a link to a Google Scholar profile; 2. a short CV (max 3 pages), including a list of publications; and 3. a short (ca. 1,000 words) outline of the proposed research project about digital sovereignty and the GELSI of digital innovat...

Interview by Adele Sarno for HuffPost, the Italian original is here The following English translation is provided by Google, apologies for any imprecision. Luciano Floridi, the digital philosopher, works between Oxford and Bologna, from next summer, he will leave Oxford to direct the Center for Digital Ethics at Yale. He has received the highest honour granted by the Italian Republic: Cavaliere di Gran Croce. According to the Elsevier Scopus database, he is the most cited living philosopher in the world. If today we talk about the "philosophy of information", it is thanks to him, who for 30 years, studied the connections between philosophy and the digital world. Professor Floridi, ChatGPT has been at the centre of the debate, especially these days. Elon Musk and a thousand other experts have written a letter asking for its development to be stopped for six months. In Italy, on the other hand, the privacy guarantor has decided to stop for 20 days until it complies with the pr...

Pale colours are the hues of discrete affluence. Often green or brown, sometimes blue, less frequently red, all deeply tinted with white, greyshed and matted, they speak of detached lives and tastefully expensive houses. They match the oaky, automatic gate; the spacious, walled gardens; the grass, carefully mowed by invisible others; the roses, hobbily attended by the well-mannered owners; the expensive, conscientious electric cars in the courtyard; the old carpets to warm the creamy, stony floors; the terracotta in the spacious kitchen; the solid, timbered ceilings; the wooden doors;  the immaculate linen; the bathrooms' ivory basins. Pale colours are quiet and unobstructive. They wish to be old, like unembarrassing money. Even when recently painted, they pretend to have been washed by centuries of tradition, smoothed by classic virtues and family reunions. They are meant to smell like musky wealth that does not age but accrues, of private schools for the children, of Oxbridge spo...